Our lawyers are highly experienced in both digital and traditional media, giving us the expertise to guide our clients through the complex legal landscape of content distribution, no matter the platform. Whether it's streaming services, broadcast television, or emerging digital formats, we are well-equipped to handle the intricacies of modern distribution. Our firm has successfully negotiated and drafted countless distribution agreements on behalf of studios, production companies, and individual producers. Additionally, we have supported our clients in acquiring content, managing everything from drafting comprehensive agreements to ensuring the timely and proper delivery of materials. Our in-depth understanding of the regulatory and business considerations in this space allows us to provide tailored, strategic advice to help our clients achieve their goals.

Distribution & Acquisitions

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Content Acquisition Agreements, including Negative Pick-Ups, are legal contracts used to secure distribution rights or financing for completed film and television projects. These agreements typically involve a distributor or financier agreeing to purchase the rights to a project once it is finished, often providing the producer with a promise of funding upon delivery. While these deals can be an effective way to finance or distribute a project, they are highly complex and require careful negotiation to protect the interests of all parties involved.

Key issues include ensuring clear terms for delivery requirements, payment schedules, and rights ownership. Producers must also navigate potential risks, such as what happens if the project fails to meet the agreed-upon specifications or delivery date. Additionally, there may be concerns over creative control, revenue sharing, and territorial rights, which can complicate the relationship between producers and distributors. For these reasons, having an experienced entertainment lawyer is essential to draft, review, and negotiate these agreements, ensuring that the legal and financial risks are minimized and that the producer’s creative and financial interests are safeguarded.

Content Acquisition Agreements

Delivery, in the context of film and television, refers to the process of providing all the required materials to a studio or distributor so they can release and distribute the movie or series. This includes not only the technical aspects (e.g., the final version of the film or episodes, promotional assets) but also legal documents, contracts, and music licenses. Ensuring that delivery is complete and accurate is critical, as missing or incorrect materials can delay release and even breach contractual agreements. Having a lawyer oversee the delivery process is essential to confirm that all legal and contractual obligations are met, avoiding costly mistakes and ensuring a smooth path to distribution.

Delivery

This process involves carefully reviewing agreements to determine who holds the distribution rights for a specific movie or series, ensuring clarity on ownership and responsibilities. It also includes analyzing the specific types of media distribution allowed, such as theatrical, streaming, or television rights, as well as examining the duration of these rights to understand how long they remain in effect. Additionally, it requires identifying the applicable territories where the content may be distributed, whether domestically, internationally, or in specific regions. Furthermore, the review involves uncovering any restrictions, such as exclusivity clauses, holdbacks, or obligations, such as promotional commitments or revenue-sharing arrangements, that are tied to these distribution rights. This thorough analysis ensures that all rights and limitations are clearly understood and adhered to.

Distribution Rights Analysis

Negotiating and drafting license agreements for distribution involves ensuring that all rights to distribute content, whether in digital formats like streaming platforms or traditional media such as theatrical and via television, are clearly defined and legally protected. This process includes determining the scope of the license (e.g., specific territories, timeframes, or platforms), outlining payment terms (such as royalties, minimum guarantees or flat fees), and addressing issues like exclusivity, sublicensing, and intellectual property protection. Other key aspects include compliance with international laws, dispute resolution mechanisms, and the right to audit. These agreements are critical for content owners and distributors to establish clear terms and avoid future conflicts.

License Agreements for Distribution of Content 

In the entertainment industry, credits refer to the list of individuals and organizations who contributed to the creation of a movie, series, or other media production. These typically include directors, producers, writers, actors, editors, composers, and crew members, among others. Credits are displayed at the beginning (opening credits) or end (closing credits) of a production and serve to recognize the efforts of everyone involved in bringing the project to life. In addition to recognizing contributors, credits also serve practical purposes such as identifying ownership and copyright information, providing a marketing tool, and complying with guild or union requirements.

The process of creating credits can be complex, especially for larger productions with numerous contributors. This involves determining the order in which names are listed, ensuring accuracy in the spelling of names and titles, and addressing disputes or disagreements over credit placement. Furthermore, there are specific guidelines and regulations set by industry guilds and unions that must be followed when it comes to crediting their members. Having someone skilled in credits ensures that the process is smooth, compliant, and professionally handled, avoiding unnecessary conflicts or errors.

Credits

Paid ad memos in the entertainment industry are official documents that outline the specific requirements involved in using talent's name in advertisements promoting a project, such as a motion picture, series, or music release. These memos detail restrictions and requirements related to the use of a talent's name in paid ads and excluded ads, including whether they receive credit, the size and placement of that credit, and the types of marketing materials it must appear on—such as trailers, posters, or out-of-home advertising. Additionally, these memos may outline approval or consultation rights held by the talent, specifying if the talent has the right to review and approve certain marketing materials. They can also address whether the studio or distributor holds merchandising rights to the talent's name, voice, and likeness, and if there are any restrictions on how these can be used.

Paid Ad Memos

Billing blocks are the small blocks of text typically seen at the bottom of movie posters, trailers, and promotional material. They contain key credits, such as the names of the actors, director, producers, and other contributors, presented in a standardized format. In the film industry, creating billing blocks involves adhering to strict contractual, guild and union agreements about the size, order, and placement of names - details that were negotiated during development and production. Having a skilled person handle billing blocks is critical to ensure compliance with these agreements while maintaining a professional and visually appealing design. A mistake in formatting or omitting a credit can lead to legal issues or damage relationships with key contributors. An expert ensures that all credits are accurate, properly styled, and aligned with industry standards, keeping the production team, guilds and unions, and the collaborators satisfied.

Billing Blocks

Development & Production

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Licensing Opportunities

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